41b4bdf110
Dropping footage on the stage or the timeline asks which frames and what name: a dialog plays the video with start and end handles that seek it. Detection runs on that range only (decoding stops at the end, frames before the start are skipped) and the range is part of the analysis address, so a partial analysis is never served as a whole one. The frozen take comes in as one named symbol, carrying its sound as an audio node, placed where it was dropped; tracking and tuning come with it when the document has no analysis of its own. clip/adopt copies symbols between documents, renaming ids that collide, and clip/audio-tracks carries sounds out of nested instances so a placed symbol is heard where it is placed. Fixes the stage going blank after a conversion: ::store recomputed only when the clip id changed, so blocks merged into the loaded entry were invisible to the resolver. And the paint loop now schedules its next frame before painting and reports a frame it cannot draw instead of stopping. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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