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Port steps 0-1: scaffold, the oracle, and the pure bottom

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Scaffolds frontend/ (shadow-cljs, reagent 1.2.0, re-frame 1.4.3) and ports
everything below the data model, with the JS kept as a numeric oracle.

  domain/landmarks  index tables, verbatim
  domain/ring       subsample, offset, simplicity
  domain/geom       similarity fit, procrustes, moving average
  domain/raster     indexed scanline fill, stencil, disc, rect
  domain/palette    the ramp, and the no-sampled-RGB rule

58 tests, 166 assertions. Parity with js/ on the identical 72-frame synthetic
track: fit-similarity, procrustes-mean, fit-residual, moving-average,
smooth-transforms, offset-ring and subsample-slots to 1e-9; the raster
pixel-for-pixel over the whole buffer.

Three deviations from the JS, each for a reason:

- synth.cljs jitters from a SEEDED generator, not Math.random. Parity is only
  checkable if both sides can be handed the same track, and a failing assertion
  has to be reproducible. `:rand-fn` takes the generator over, so oracle.mjs
  stubs js/Math.random and js/ itself stays untouched.

- raster/->rgba replaces toImageData. ImageData is a DOM type and domain/ may
  not touch the DOM; returning plain bytes also lets the
  no-intermediate-colours assertion run in node. ui/canvas wraps it later.

- offset-ring lives in domain/ring, not domain/geom, per architecture.md: it is
  an operation on an ordered traversal, not on a transform.

Step 1's "done" also names the swapped-iris vote, but pairIrises is in
pipeline.js and belongs to step 7. The precondition is asserted instead --
`:swap-iris` really does move both blocks -- so the vote will have a track that
disagrees with it when it arrives.

One finding, recorded in full in the test that measures it: smooth-transforms
buys nothing on the synthetic track. Against jitter-free ground truth, radius 1
helps by 17% on one noise realisation and hurts by 0.5% on another, so its
benefit is within noise; from radius 2 up the cost is unambiguous, and by radius
5 the filter is below the true motion's own high-frequency energy, i.e.
smoothing away performance. The test pins the shape of the knob rather than a
preferred value. This may say more about the synth's jitter being unrealistically
small (+/-0.001 normalised) than about the knob; step 6 settles it on real
footage.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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Olive Vaughn 2026-09-27 14:43:34 -04:00
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