grand unification of time
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40 changed files with 334 additions and 292 deletions
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@ -52,10 +52,10 @@ overrides and kept-frame sets are all in clip-frame space, so a clip slides on
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the timeline without a single stored number changing. Exposure and lead are
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transforms *within* clip space:
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Detection retains every source frame. A chosen picture fps samples the frozen
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roto in clip time; it changes neither source-frame count nor the audio clock.
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The set of source frames an artist uses as cel tracing references is another
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selection, independent of the picture fps.
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Detection retains every source frame. Symbols carry their native fps; project
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fps selects the output grid without changing source data or audio speed.
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See [Time selection](time.md) for boundary sampling and frame units.
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Tracing references remain an independent selection.
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```clojure
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(defn pose-frame [clip cf]
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@ -90,8 +90,8 @@ it a name is most of the work: `state` in `app.js` is a clip with its analysis
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inlined and its palette global.
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Cel keys select where drawings begin and how long they hold. The source frames
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shown beneath a cel while tracing are chosen independently, and picture fps
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only controls which analyzed pose the finished roto displays at a given time.
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shown beneath a cel while tracing are chosen independently. Project fps controls
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which native frames can appear on the output grid.
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### Two things called "track"
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